cafe

Sunday, April 13, Day 12

April 15, 2014 by Virginia Parker 1 Comment

Woke up to the sound of the church bells. Even in these modern times, in a secular city that worships at the altar of cuisine and couture, the bells toll as they have for centuries.
Today is a good day for an audio guided walk. But first, Instead of my usual grab and go noisette, I sit down in Miss Manon’s patisserie, order fresh orange juice, a noisette and an apple pastry, take out a postcard and a pencil stub, and start a little drawing. I knock back the noisette, and time disappears until I’m done. I stretch and look out at the passing street scene. The shoes alone are worth watching. People are carrying boxwood clippings under their arms. Ah, it’s Palm Sunday. I order another noisette, and set my little cup carefully on the postcard, twice. An authentic two-ring, Paris café stamp.

The audio tour begins with the incomparable view of Notre Dame from the bridge next to the Quai de Montebello. The third stop on the audio tour is Shakespeare and Company, the legendary English bookstore and holy ground for a writer. I go in with the fizzy feeling I had pushing open the door to Sennelier. Everything about it is appealing, from the quotes on the walls, a glass dome with a slot over a lighted basin in the floor filled with coins, and a ‘Feed the Starving Writers’ sign.

So many interesting books of varying vintage crowd the shelves. It’s like joining a party in progress with charming rakes, notorious wits,wily politicians, deadbeats, drunks, and philosophers all talking amongst themselves. I wander through the warren of rooms below, then climb the twisting narrow stairs to find more little rooms with floor to ceiling shelves of second-hand book available to all to read. I sit in a room with a typewriter in front of the window and a fat white cat napping on a worn velvet cushion.

I write – on my iPhone – an email to my daughter and a few notes to myself, then I pull out my Nook and read. I soon discover that waves of tourists wash up in that front room, some hushed, some raucous. Everyone takes a selfie with the cat, whose poise is unshakable. A young man sits next to me and opens a book. After fifteen minutes or so, he asks me if I’m reading something interesting. He’s reading love poems, because, like all young men in Paris since the dawn of time, he is hoping to get some cherchez la femme leverage. Youth is truly wasted on the young, y’all. I advise that love poems aren’t a reliable field guide to women, but might help him hold onto one. It is a truth universally acknowledged that chicks dig romance. Surely he has no problem meeting women. Just strike up a conversation with any one of the pretty girls here. Too transitory, he says glumly. Plus he can only muster the courage to approach women like, erm, me, implying that as an old lady, I am safely beyond such foolishness. I whip out my iPhone and show him photos of my girls and Robert. Ah, the King, he says. Astute lad. He’s forgiven.

So we talk. He’s one of the writers that sleeps on the floor in exchange for a couple of hours working the register each day, while he writes a book. I urge him to e-publish. I suggest writers’ blogs to read who have broken new ground in the field. I recommend Facebook pages and links. It’s what I’d be doing if I was trying to be published and make money doing it. We exchange emails. He keeps one of my painting showcards and says it will be his bookmark. A signal honor, coming from a writer. I do miss the scraps of notes and postcard bookmarks in these electronic reader times. Before I leave on my audio tour, I walk back through the rooms and see typewriters on window sills, end table, and alcoves., reminding me of my recent typewriter paintings.

I continue on my walking tour, learning all sort of curious facts about the Julian le Pauvre church, and the lives of the Parisians in this little corner of Paris. At the end of the walk, I decide to walk back along the Seine. Before I head down the stone steps, I stop at one of the green wooden book and poster stalls along the road, and buy risqué 1930s vintage French postcards (2E for five). The antique aspect somewhat blunts the edge, keeping them just this side of filthy. I walk underneath a bridge bristling with padlocks snapped to railings by hopeful lovers.

I buy a carrot salad to go with the brie and figs I have in the apartment, and a chocolate and nougat pastry called Little Saint Antoine. When I spent a month in Italy I swore that espresso replaced my red blood cells. In Paris, I’d bleed butter.

12 Random Observations

April 16, 2014 by Virginia Parker 3 Comments

In my imaginary Paris, there are no cars.

I’ve seen more Asian people in the Louvre in the last three weeks than I have seen in my lifetime, total.

Angelina’s is ground zero for thick, luscious, not particularly sweet hot chocolate, with a side of whipped cream.

Walking along the Seine over cobblestones is a tricksy, ankle-snapping risk, I don’t care what shoes you’re wearing.

Fascinated to see the way women actually moved in long skirts and corsets, via archival film footage in exhibits.

Pockets are absolutely essential, which is why I have only worn my otherwise ideal leggings once.

Most dangerous place in Paris is the stairs, whether marble (Louvre), wooden (apartment), escalator (Monoprix), stone (Seine) or concrete (Metro). Hiking up or down, it’s a compound fracture just waiting for a moment of inattention to happen.

I have to fight the urge to stroke, caress and pat the sculpture. And not bitch slap the people I see give in to the temptation.

Most useful tools; a tie between my iPhone (with a temporary global plan) and a small box of big safety pins, thick rubber bands, and large paper clips. I use these all the time.

I have never worn either coat I brought.

Skinny leg jeans are a must, Chucks are great, long thin scarves required.

Walking down the boulevard, lovers lean toward each other as if they are north and south poles of a magnet. I miss you, Boatie. Viva l’amour à Paris.

Monday, April 14, Day 13

April 16, 2014 by Virginia Parker Leave a Comment

Late start, but I’ve realized that no matter where I am or what I’m doing, I am in Paris, so no worries. Decide to do something from my fantasy of a Paris trip; stroll to the Louvre along the Seine. En route I stopped at La Caféothèque (52 Rue de l’Hôtel de ville), a coffee shop with a TripAdvisor rep for excellent java. Little, odd-shaped rooms on multiple levels, a mix of chairs and comfortable, cushioned banquettes, nothing corporate about it, welcoming staff; it gets my vote. When strong espresso goes down like water, you know you are in excellent brewing hands. My noisette was smooth and silky and powerful. I’d say this is where good beans go when they die but since they roast their own beans on the premises, maybe an analogy of beans gone to hell in a hand basket is more accurate.

After two of delectable cups and one small postcard sketch, I galloped down the road to the Louvre. I breached the gates close to noon and it was a madhouse, confirming that my early morning arrival strategy is a superior approach. By noon the Louvre is trying to stuff twenty thousand pounds of tourist in a five thousand pound sack. I flashed my card, which worked its magic, but it still took fifteen tense minutes dodging through the masses to find a relatively quiet corner – French painters and a special exhibition of the artists who created the Louvre ceilings. Stopped in my tracks by Le Christ en Croix by Simon Vouet. It’s a standard-issue religious theme but it had a passage of such delectable color on the robe of a kneeling Magdalene that I couldn’t stop staring.

Photography in the ceiling sketches exhibit was not permitted, but the guards were delighted to let me draw. I stood and copied a sketch of two men by Charles Le Brun. By the time I was ready to stop, I felt calm and peaceful. Hand-eye time is very meditative – cue the alpha brain waves. Saw a lovely little painting of a Cuisse de Nymph rose by the incomparable Henri Fantin-Latour that I’m still thinking about, along with a Christ on a slab post-crucifixion painting, which is the last work of art I saw ten years ago when I had to leave the Louvre after a brief visit, and didn’t want to. That was the bit of grit in the oyster that resulted, years later, in the planning of this trip.

Walked around Place Saint-Sulpice in the late afternoon. Looked in the window of the store with that bracelet I like. It’s still there.

Friday, April 18, Day 17

April 21, 2014 by Virginia Parker Leave a Comment

Friday was my last visit to the Louvre. After a maudlin start, I knew I could either be all elegiac Canon In D Major sad, or bask in my good fortunate Pharell Happy. I chose happy. Packed my backpack carefully, refilled my bottle with Perrier, made sure I had my sketchbook and pencils*, Nook, maps, and back-up battery pack**. No line at the Metro ticket machine, and a seat was open on the train, double win.

Galloped into the Louvre, with my iPod blasting Handel’s ‘Arrival of the Queen of Sheba,’ blessing my Des Ami des Louvre card, straight into the arms of the Flemish, Dutch and Germans on the second floor of the Richelieu wing. I followed my eyes and heart. At some point, I began taking photos of women with books or swords.

Bonus points if they carried both.

That carried me through the next three hours. My mood cycled from happy to be there, to sorry to be going. Finally, it occurred to me that the harder it is to part, the luckier I was to have been there. I had just taken a photo from the window with the Tuileries ahead, Eiffel Tower to the left and the city gleaming white in the distance, when an ear-splitting alarm went off, followed by a voice telling everyone to evacuate the Louvre, for reasons of safety.

The announcement, in multiple languages, alternated with the alarm. I wondered if someone had started humping the Venus de Milo, or if there was a shooter loose, maybe a bomb threat. I watched people wander by in the direction of the escalators as the announcement kept repeating, but it was like trying to turn the Titanic. No one seemed to feel any urgency. I started towards the stairs but didn’t rush any. I saw a security guard and asked him what gives. He shrugged one weary shoulder, blew a puff of exasperated air out of his lips as only the French can, and said, “It is a drill. You may ignore it.”

All righty then. No problem. I decided to consider it the lunch bell, since it was past 1pm. I went to Angelina’s and tucked into grilled sole and lemon hollandaise, with a basket woven out of shaved carrots in three colors, followed by noisette, and a macaroon for dessert. I did another little drawing of Joséphine on a postcard, this time for Robin. Afterward, I went back to where I started on Day One, the sculpture court, and sketched my favorite view of Roland, Furioso.

I walked in and out of the various levels of the sculpture court until I finally made myself quit stalling and leave. I took the Metro back to Saint-Paul, and, en route, took a sip of water. Or planned too, but when I unscrewed the top, it blew off with a bang, like I’d popped a champagne cork or fired a Glock. I sat there, stunned, sprinkled with l’eau mineral. No one was injured, and the guy next to me thought it was very amusing. I was obviously shocked down to my shoes. So kids, today’s lesson is don’t put water that’s carbonated in your water bottle, then walk all over Paris before you open it.

I left the metro without further incident, and walked over to a shop with scarves I’d liked and bought one in vivid Mandarin orange with white polka dots of varying sizes. Then I walked to Le Marché des Enfants Rouges, thinking I’d have pigeon pie and mint tea for an early supper, but no, too late. Headed back and passed a Scandinavian clothes shop called Cheap Monday and bought a white tee shirt with C H E A P P A R I S printed on it in black lettering. Maybe you had to be there, but it cracked me up. I ended up eating a savory buckwheat crepe at Breizh café, a joint everyone raves about, but not me. Meh, is the best I can say. I scouted Monoprix for a cheap and sturdy tote in case my purchases max out my suitcase and pulled some Euros out of the ATM. Home to the apartment, where I started the laundry, nuked a couple of apples in the microwave and wrote this up. Tomorrow is my final day in Paris. I figure I’ll pack then just wander. Maybe do a ParisWalk from the audio guide.

*I’ve only needed one sketchbook, but it’s the one I bought at Sennelier (not too big, not too small, etc).

** I haven’t had to use the battery pack since I started charging the iPhone and its Mophie case at bedtime. The iPhone battery is down to 20% around 3pm, the way I’ve been using it. Hit the Mophie recharge and there’s usually 60% or so left by the time I’m done for the day by 6 or7pm. Mophie is a game changer, in a good way.

Saturday, April 19, Day 18

April 22, 2014 by Virginia Parker Leave a Comment

Packing went easily and well, which meant one less thing to distract me. Picked up a baguette with Brie to go from Miss Manon, and tucked it in my bag. Road the Metro to St. Michel with a line change, which showed me how confident I’d become with something I was nervous about when I arrived. I followed the cultivated, intelligent ladies who recorded the audio guide through the Rue de la Huchette walk, which gave me insight into medieval times. It was quite the disconnect, looking at stones carved ages ago while bobbing like a cork on the tide of tourists. What the guide had to say was insightful, but it was my first exposure to being caught up in a super touristy area lined with cheap trinket stores, cafés and the barbarian hordes. I bought a piping hot butter and sugar crêpe from a walk-by window, delicious camouflage that gave me a legit excuse to stand in the street when I paused to look and listen. Eventually, the audio guide led me to Rue Jacob. I sat under a tree in a courtyard garden of the oldest church in Paris, Saint-Germain-des-Prés, and devoured my baguette with Brie.

Among the gifts of the day, was watching fitful sunlight bloom and fade translucent colors through the stained glass onto the flagstone floors of the Church.

The audio guide explained exactly how the whims of royalty and the depredations of war had influenced the church’s interior. I sat on one of the small wooden chairs that have been in every church I’ve visited in Paris (as opposed to pews) and felt the centuries stretching behind me. Thought about the enduring power of faith, no matter how human being have twisted or denied it. One thing the audio guide pointed out was how the St of Rue St Severin had been gouged out of the stone street sign by the revolutionaries, who wanted to erase the influence of church. It’s the day before the resurrection is celebrated in the Christian world, as it has been for 2014 years. The older I become and the shorter my string gets, the more I am astonished at the ability of us short-attention-span monkeys to conceive of and create such a thing as art.

A little bit further along, I found myself on Rue Buci, which rang a distant bell. ‘Number three on the fifth floor’ floated up out of wherever I store information that hasn’t been accessed in 43 years, like the fortune in a Magic 8 ball. I thought I’d just walk over and see if there was, in fact, a number 3, and if it had a fifth floor. And yeah, there it was. The garret I lived in when I first came to Paris, before I tripped and fell into modeling and my life spun off in an unanticipated direction.

I took a couple of photos to show Robert and noticed a motorcycle’s mirror was in one of the shots. Appropriate, as this was a pure stare in the rear view mirror of my life moment.

On I went. I happened by Ladurée at 4, just when my blood sugar fell into the cellar. I decided to sit down and have tea and a salted caramel macaroon or two. Upstairs I went. Blue velvet, gleaming silver, Earl Grey tea, sugar. I wrote postcards to my loved ones and contemplated the many pleasures of Paris. Time well spent.

My time is done here, though so much is left undone. It will have to suffice. I don’t know how or if this will manifest in my work. For all the riches of this city, I love my life, my real life. I will be glad to get home and be with my darlin’ Robert, my spoiled rotten dogs, and my studio. And, when they get back from their travels, my beloved children. Out of the rear view and into the present moment. But not just yet. Ten more days to go.

I’ve heard the King of Holland is going to throw a party, his first birthday as the national holiday. Good thing I’ve got that tangerine scarf. Heading for the CDG airport at 7am and the next chapter in this travelogue; Amsterdam, and the Rijksmuseum.

Thursday, April 24, Day 5

April 25, 2014 by Virginia Parker Leave a Comment

Simple plan made the night before: visit the Hermitage Museum outpost in Amsterdam to see the Silk Road exhibition, then head back towards the B&B, with a stop at the van Loon museum or maybe the Albert Cuyp Market. Rain is forecast to start at 10am and that will decide how much walking around I’ll be doing. I put on my raincoat (the only time I have worn it. The winter coat has not left the bag it was stuffed in) and slip the collapsible umbrella in my bag.

Ubered over to the museum, which reminded me of an Apple store on the inside – curving white walls, glass and metal stairs, lots of interaction features – swipe your ticket over a sensor to be admitted, doors swing open as you approach, the audio guide is triggered from a point on the wall you swipe with you audio unit, like the self check-out at Kroger.

My experience with the Silk Road exhibit will be all tell and no show, since photographs were prohibited. It ranged from fragments of damaged, extremely faded wall murals, to an entire silk garment lined in squirrel fur, preserved in ice for over a thousand years. Multi-media elements included a stuffed dromedary, a two-story high wall projection/slide show of individual items in the exhibit, and audio of Tibetan monks chanting. There were sections on the archeological aspects, past and current, For me, the idea of the show was more interesting than the artifacts on loan. I think the Hermitage mother ship could have been a little more generous with what they made available for this.

I left on foot through spitting rain, toward the Museum van Loon. Passed by a bustling entry and peered inside at what turned out to be the Tassenmuseum Hendrikje, the Museum of Bags and Purses. I hesitated, but with a museumkaart, entry was free, so what the hay. Once inside I winced at the sign announcing a special exhibit – 50 years of Barbie! – but figured I could skip that, no one ever had to know. The collection is housed in a classic, canal view mansion, with the earliest objects on the top floor. One four-story climb later I walked in, and saw a goatskin drawstring bag with iron clasps from 1600. I was hooked. I loved it when they put a painting from the same era behind the purse – instant context. Like this:

The displays address the evolution of material and function. There are examples of beading, basketry, leather, plastic, and metal. Purses for brides and for chatelaines. Exhibits of what women carried, in various eras. So many of the purses were playful, inventive, or as hand held sculpture, like the clutch that mimicked a steamship. I pressed my nose against the glass more than once.

A cafe on the second floor had two formal rooms set for a high tea. They found me a table, slipping me in between the reservations.

I promised to be quick. Clotted cream, jam, and biscuits, how I missed you. I wolfed down crustless triangles of smoked salmon sandwiches, that biscuit, and a pot of Earl Grey. On my way out, I ducked into the gift shop. A Margaret Thatcher lookalike enthusiastically assisted me, and a mug, postcard, and one secret item later (a gift for Robert so I can’t include it here), I made it out the door. Guilty pleasures are the sweetest.

Walked on to the Museum van Loon, in the home belonging to the co-founder of the Dutch East-India Company. Interesting tension between the portraits of van Loon children by Dirck Santvoort and Nicolaes Maes, and a series of contemporary children’s portraits by artist Katinka Lampe they inspired.

Both disturbing, in their own way.

I revisited rooms multiple times. They had massive bouquets of fresh flowers throughout the mansion, a living version of Rachel Ruysch’s stilleven met bloemen paintings.

The formal garden behind the house was blooming in a palette of orange and purple and graced with a copy of the sculpture I last saw in the Louvre, Hercules carrying his son Télèphe.

Thirty more minutes of walking over bridges, dodging around bicycles and trams, and I was back at the B&B. It was a day that convinced me of how good it is to have a museumkaart in my pocket. and time to allocate as I wish.