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Wednesday, April 16, Day 15

April 19, 2014 by Virginia Parker 1 Comment

Bounded out the door – I could hear the clock ticking, counting down the hours until I leave on Sunday. Discovered I could order a noisette double, heck yeah. Onward to the Louvre via the Metro. Trotted towards the entrance via the Carousel, the gateway to the Louvre that’s like a high-end fancy mall, and skidded to a halt.

It’s 9:30am, and  there’s a line stretching all the way back through the Carousel.  What happened? Was there a sale? It looked like Filene’s Basement’s Running of the Brides, or Wal-mart before the doors open on Black Friday. No joke.

Armored with my  Des Amis De Louvre card confidence, I forged past the twisting, shuffling line to the clogged security area and… yes! Open Sesame! The guards unhook the barrier and I waltzed right through and hand off my bag to security. I breezed by the giant anaconda line for tickets, zipped up the escalator, flashed my card at the actual entry point to the Richelieu wing, and moments later entered the sanctuary of the Cour de Marly.  For the next thirty minutes, it was all mine.

Here’s the good thing about the giant lines, as long as you are not in one – it holds back the tsunami waves of people, dribbling them inside at a measured pace, which means you get more quality time with the art. The good thing about the Louvre’s holy trinity, those three works of art  that are on every tourist’s hit list (Mona Lisa, Winged Victory of Samothrace, and Venus de Milo) is that they siphon off the casual tourist. Again, this means you get more time with the other 34,997 amazing works of art. You can even sit on the floor and sketch to your heart’s content. Like this:va draws

My Des Ami Des Louvre membership has been worth every penny. Spent a quiet happy morning communing with statuary (Cour de Marly, Middle Ages, 19th-century sculpture) that made the Pygmalion’s plight completely understandable – special mention to the gallery of French Royal academy entry works). Look at this Cupid’s gesture, introducing a butterfly to a rose.

cupid,And who doesn’t love a hot guy who reads?

men read

My nominees for most fun couple:

M&S2

I knocked off early to visit a restaurant suggested by my friend and fellow painter, Nancy Franke. Took a taxi driven by a man from Cameroon, who sang ‘Georgia on My Mind’ when he found out I was from Atlanta. Arrived at Les Papilles, 
(30 rue Gay Lussac, 75005,) took a seat and waited for them to serve me what they were fixing that day.  It’s a tiny place, near Luxembourg Gardens. I knew it would be good, I didn’t expect it to be one of the best meals of my life.

soupIt began with a tureen of carrot soup. The soup plate had a stack of ingredients – slivers of carrot, something porky, dab of creme fraiche, a tiny bouquet of thyme on the top, a spice dusted on the side, dots of something on the bottom and croutons. Oh, and something with tiny green leaves and long thin stems – watercress maybe? I ladled the soup over that, stirred it up and tasted Nirvana. I ate two bowls, knowing so much more was coming but it was so good! And there was another serving left. You wouldn’t leave hungry.

entree

This was followed by a copper pan of roasted vegetables and pork loin, and dish of polenta. The pork loin and vegetables came in a smoking hot oval copper pan. I know there were carrots and think in more than one color. Something red, probably a pepper? Snow peas, onions in thin rings, and bits of apricot. Another bouquet of thyme and several whole cloves of garlic. I ate until you could have cracked a flea on my belly. I left one piece of pork because I could not possibly fit it in.

Dessert came in a glass that widened at the top. Bottom layer of banana (and maybe some chocolate?), a layer of creme englaise type pudding, a layer of chocolate cream, a layer of cream and a layer of caramel foam. Hail Mary.

Espresso in a tiny cup, almost turkish, with a side dish of chocolate-covered coffee beans. I added two cubes of sugar to it (cubed sugar comes in cellophane packets on the table here and at the Cafèoteque place). I knocked it back, knowing full well it was all that stood between me and a coma. This took about two hours. I had to put my fork down for breaks. I didn’t read because my attention was fully commanded by the food. That almost never happens to me.

The restaurant is in a narrow room with a bar down the side and a little elevated area in the back. Warm wood and colorful tile on the floor and the stairs.

stairs

Kind of a masculine vibe. Not fancy, but clearly thought went into it, and the overall effect is cheerful, goodnatured and welcoming. Two people for service; a black woman who was a beauty with a dimple and kind look about her, and the guy who ran the bar and read the menu and talked with one of the patrons. Nothing snooty about it. They seemed to be serious about the food, not themselves. How refreshing is that? Oh, and it cost the same as the Café Marly burger.

Believe me, my words just don’t do it justice. It’s like saying Fred Astaire moved his feet.

When I finally surrendered and retired from the field, it took ten minutes before I could move. I decided a walk was called for.  Google maps told me where to go and that it would take about half an hour. And that’s what I did. I have never walked by patisseries and felt not the slightest twinge of interest but today, not a flicker. Not just full, but truly satisfied.

I’ve been writing this ever since.  Peppermint tea for dinner. If I can find the room.

 

Filed Under: Paris Tagged With: Louvre, museum, museum strategy, restaurant, sketch

Friday, April 18, Day 17

April 21, 2014 by Virginia Parker Leave a Comment

Friday was my last visit to the Louvre. After a maudlin start, I knew I could either be all elegiac Canon In D Major sad, or bask in my good fortunate Pharell Happy. I chose happy. Packed my backpack carefully, refilled my bottle with Perrier, made sure I had my sketchbook and pencils*, Nook, maps, and back-up battery pack**.  No line at the Metro ticket machine, and a seat was open on the train, double win.

Galloped into the Louvre, with my iPod blasting Handel’s ‘Arrival of the Queen of Sheba,’ blessing my Des Ami des Louvre card, straight into the arms of the Flemish, Dutch and Germans on the second floor of the Richelieu wing.  I followed my eyes and heart.  At some point, I began taking photos of women with books or swords.

book 1

 Bonus points if they carried both.

sword 1

That carried me through the next three hours. My mood cycled from happy to be there, to sorry to be going. Finally, it occurred to me that the harder it is to part, the luckier I was to have been there. I had just taken a photo from the window with the Tuileries ahead, Eiffel Tower to the left and the city gleaming white in the distance, when an ear-splitting alarm went off,  followed by  a voice telling everyone to evacuate the Louvre, for reasons of safety.

IMG_8261

The announcement, in multiple languages, alternated with the alarm.  I wondered if someone had started humping the Venus de Milo, or if there was a shooter loose, maybe a bomb threat. I watched people wander by in the direction of the escalators as the announcement kept repeating, but it was like trying to turn the Titanic. No one seemed to feel any urgency. I started towards  the stairs but didn’t rush any.  I saw a security guard and asked him what gives. He shrugged one weary shoulder, blew a puff of exasperated air out of his lips as only the French can, and said, “It is a drill. You may ignore it.”

All righty then. No problem. I decided to consider it the lunch bell, since it was past 1pm. I went to Angelina’s and tucked into grilled sole and lemon hollandaise, with a basket woven out of shaved carrots in three colors, followed by noisette, and a macaroon for dessert. I did another little drawing of Joséphine on a postcard, this time for Robin.  Afterward, I went back to where I started on Day One, the sculpture court, and sketched my favorite view of Roland, Furioso.

va & Roland

I walked in and out of the various levels of the sculpture court until I finally made myself quit stalling and leave. I took the Metro back to Saint-Paul, and, en route,  took a sip of water. Or planned too, but when I unscrewed the top, it blew off with a bang, like I’d popped a champagne cork or fired a Glock. I sat there, stunned,  sprinkled with l’eau mineral. No one was injured, and the guy next to me thought it was very amusing. I was obviously shocked down to my shoes.  So kids, today’s lesson is don’t put water that’s carbonated in your water bottle, then walk all over Paris before you open it.

I left the metro without further incident, and walked over to a shop with scarves I’d liked and bought one in vivid Mandarin orange with white polka dots of varying sizes. Then I walked to Le Marché des Enfants Rouges, thinking I’d have pigeon pie and mint tea for an early supper, but no, too late. Headed back and passed a Scandinavian clothes shop called Cheap Monday and bought a white tee shirt with C H E A P   P A R I S printed on it in black lettering. Maybe you had to be there, but it cracked me up. I ended up eating a savory buckwheat crepe at Breizh café, a joint everyone raves about, but not me. Meh, is the best I can say.  I scouted Monoprix for a cheap and sturdy tote in case my purchases max out my suitcase and pulled some Euros out of the ATM. Home to the apartment, where I started the laundry, nuked a couple of apples in the microwave and wrote this up. Tomorrow is my final day in Paris. I figure I’ll pack then just wander. Maybe do a ParisWalk from the audio guide.

*I’ve only needed one sketchbook, but it’s the one I bought at Sennelier (not too big, not too small, etc).

** I haven’t had to use the battery pack since I started charging the iPhone and its Mophie case at  bedtime. The iPhone battery is down to 20% around 3pm, the way I’ve been using it. Hit the Mophie recharge and there’s usually 60% or so left by the time I’m done for the day by 6 or7pm. Mophie is a game changer, in a good way.

Filed Under: Paris Tagged With: alarm, audio tour, cafe, Louvre, market, museum, museum strategy, park, restaurant, shopping, sketch, strategy

Tuesday, April 12, The Hermitage

April 18, 2016 by Virginia Parker 1 Comment

I have a strategy for huge museums.

1. Get there early.

2. Start at the back of the top floor and work my forward and down.

3. Take the museum’s handout map and a colored marker so I can layer my own map of where I’ve been, what I saw, and notes on what to see again.

4 Tuck a half bottle of water and some kind of small but sustaining snack in my bag.

5. Bring my best manners.

Over breakfast I Googled up coffee shops  near the Hermitage I could Uber to within in walking distance to the museum, and places to eat lunch. Breakfast was proofing the blog post, wolfing my porridge*, and making myself a croissant bacon and jam sandwich (don’t judge – my other options from the hotel buffet were smoked salmon and sliced tongue) which I thanked God for around 2pm when I realized I hadn’t eaten and could not bring myself to leave.

In honor of the occasion, I picked Uber Black, and for six bucks my ride was a silky smooth Mercedes. Hell to the yeah. High class.

I wore my Prague pink silk scarf. I saw this in a window as we smoothly navigate the streets

Gratitude - works for me.
Gratitude – works for me.

I was buzzing with adrenaline. We pulled up to palace square and I hopped out to the sounds of a marching band.  A welcome for me? How thoughtful! A man in a Peter the Great costume was swashbuckling around.

great casting.
Great casting – he was easily 6’4″, without the hat.

I couldn’t believe I was in the frame of the picture I’d stared at so longingly for the past year. I asked a kind tourist to take my photo. It’s worth noting that If you want to connect with anyone you see of any nationality, age, or gender, approach them and ask, “can you take my photo, please?” The frowns, protestations they don’t speak English, defensive go away gestures instantly change when you proffer your iPhone with the photo screen open and the universal white button. Faces transform in mid-scowl, smiles and nods ensue. Not one exception so far. It is turning out to be the universal key that unlocks every door. And it beats selfies hands down.

{"focusMode":0,"deviceTilt":0.004832549891199633,"whiteBalanceProgram":0,"macroEnabled":false,"qualityMode":3}
I’m here. I’m really here.

Heart thumping, I scampered to the designated entrance. There was a small wooden door just inside, before the turnstile with a Friends of the Hermitage sign. I knocked and met Oksana, the same women who responded to my inquiry email all those months ago. It was a tiny office, crammed with papers and files and computers. Fifteen minutes later I had my official card and my own entrance (same door as security and employees). Slap the card on the turnstile, green lights and I’m in. That’s it.

Osaka leads me to the staircase most people see first. It’s so iconic even the  swarms of posing tourists can’t obliterate the grandeur.

A fragment of the splendor.
A fragment of the splendor.

I remember to look up.

Wowser
Wowser

On my way to the third floor, I walked through a special exhibition; Two Enlightened Monarchs.  I am captivated because here are the famous portraits of Peter the Great and Catherine the Great and their coterie that I’ve seen online and in the pages of books. The nuances that are flattened out in photographs are visible here. The faces that look out at me from the gilded frames are the same ones that engineered the existence of the very ground I stand on at the cost of so many lives. There is something about the fragile humanity, the aging of their faces, versus the scale of their accomplishments. They are ghosts made visible. They will stay phantoms, because special exhibits prohibit photos. This is a universal museum rule that I (almost always) respect.

I hie myself to the top floor. A pack of small school boys in blue uniform jackets with silver buttons clatter past me on the stairs. It feels like Hogwarts is on a field trip.  NOTE: This will happen again and again and I have come to love it.  First, these children are the future. They are our only hope, Obi wan. No joke. Second, every uniform is different – I particularly liked one that featured magenta plaid. Third, they are short enough to easily see over.

In no time I am absorbed in the realms of old and middle eastern art, like this jolly pair of Iranian girls, sisters perhaps, who apparently forgot their shirts.

 If you've got it, flaunt it.
If you’ve got it, flaunt it.

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By 2pm I was running on fumes, so I sat on a hard bench in the bafflingly dismal café area. (surprisingly cheap décor, Kwik Trip calibre food (sandwiches in plastic boxes, M&Ms, stale pastry) and wolfed down my smuggled snack. I regained sufficient strength and clarity of mind to go look for some real fuel. A few short blocks away I found Double B coffee & tea, aka Dablbi (Millionnaya St., 18) ) and fantastic things happened.

Octane quality, maybe even better. A temple to caffeine for the true believer.

{"focusMode":0,"deviceTilt":0.05308287590742111,"whiteBalanceProgram":0,"macroEnabled":false,"qualityMode":3}
Rocket fuel for the weary traveler

Returned to the Hermitage and got back on the horse.  The coat check ladies waved and smiled at me. I guess they know a lifer when they see one. This time I visited the Egyptian exhibit, a single largish room, doing all the stops on the audio tour from the Hermitage app I downloaded to my iPhone. Fascinating!

Behold the scribe. Mostly he tallied grain and livestock, but I still feel that connection over the centuries.
Behold the scribe. Mostly he tallied grain and livestock, but I still feel that connection over the centuries.

I spent a good hour plus, so there goes my carefully crafted schedule. On my quest for a bathroom to get rid of the coffee, I walked through the Greek and Roman statuary rooms. Coming attractions!

Reminds me of Robert. Just switch out that staff for a C-stand.
Reminds me of Robert. Just switch out that staff for a C-stand.

I can’t wait to come back tomorrow and do a bit of sketching. Lots of drawing going on, with really young kids who were focused and serious.

The map has been a bit confusing, but the numbers are over most of the door so I am carefully marking my path. It makes all the difference to getting me oriented.

I left at 5:30, unsure of what to do next. Thanks to my pre-made Googlemap I had a restaurant to aim for, Fruktovaya Lavka (Bolshaya Konyushennaya, ul 15.) No regrets – this little gourmet market and café had a small but choice menu. I ordered the buckwheat pasta, mostly because it came with seafood, and honestly, I didn’t know buckwheat could be this delicious. I can come back and eat here another dozen times.

Back to my hotel via Uber Black. Traffic was a bitch, but it was still six bucks.

Tomorrow, repeat.

* Porridge. My hotel offers it, but it was a bland paste, without any seasoning. On the first day, I asked them to add cinnamon. On the second day, I asked them to add chopped apple. On the third I was bold enough to ask for raisins. I have this every morning and they are getting pretty good at it.

Filed Under: St. Petersburg Tagged With: Fruktovaya Lavka, Hermitage, museum strategy, restaurant, Uber

The Eternal City

August 2, 2016 by Virginia Parker Leave a Comment

Next spring I’m traveling to Rome, and taking six weeks to wash the dust of the world from my soul. My primary goal is to thoroughly explore the Vatican Museums. It’s a challenging prospect; this bastion of papal privilege is filled to the brim with the best art that power and wealth could accumulate, but housed in a venue conceived and built for the delectation of a very limited audience. As a building, it was neither planned for nor concerned with the priorities and comfort of multitudes tourists.
As I see it, the three most daunting obstacles are

  1. The one way system. There are set routes through the museum and no backtracking is permitted.
  2. The paucity of bathrooms. I’ve read there are four. Holy cow.
  3. The surge of tourists, art lovers and pilgrims alike, that can transform the experience of viewing art into something resembling an overcrowded TSA line.

I am going to have to bring my A-game in terms of strategy. I hope I am equal to the task.

Retrato_del_Papa_Inocencio_X._Roma,_by_Diego_Velázquez
“Troppo vero!”

The beauty part is Rome is covered up in amazing venues. Not only is every church door is worth opening, there are private museums I plan to visit and revisit. Caravaggio’s The Repentant Magdalene and Rest on the Flight into Egypt would be more than enough to bring me back to the Palazzo Doria Pamphilj, but they also have Velázquez’s portrait of Innocent X.  

Filed Under: Preparation, Rome Tagged With: Anticipation, Caravaggio, museum, museum strategy, preparation, Vatican Museum, Velázquez

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