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En Garde, EUR

March 13, 2017 by Virginia Parker Leave a Comment

Pouring rain changed our plans. Instead of a walk through the cobbled alleys of Trastevere to join our landlords for coffee, they gave us a ride to EUR and we had coffee near the museums we planned to visit.
I can’t say enough good things about Federica and Franco. She is an archaeologist working in prehistory, brilliant, lively and kind, and he is a retired engineer, calm and a veritable saint when it comes to assisting a clueless tourist with her baffling SIM card issues. The apartment we rented from them has a quirky charm, a well-stocked kitchen and has been a very comfortable base of exploration.
EUR, Esposizione Universale Roma, was initiated by Mussolini and intended to be the city center of Fascist-era Rome. WWII stopped construction and many buildings were not completed until the 1960 Olympics. It houses corporate and government offices and a complex of museums. One of the iconic building is the Colosseo Quadrato.We shared conversation and delicious coffee and pastries in a large, bustling café.  Afterwards, they dropped us beside the portico of the Prehistoric Ethnographic Museum.
The Hipstamatic photo app seemed apropos for these artifacts.
I found this couple, spooning in their shared grave, deeply moving. Love may not conquer death, but it sure makes life worthwhile. Fish hooks and needles, sure, but who knew the safety pin has been with us for 2000 years?Among the masks from other cultures was this doppelgänger for Mad Magazine’s Spy vs Spy.

[easy-image-collage id=2714]

Sometimes I find hope for the future of humanity in the little things, like this hair comb. A necessary item made into a charming ornament.We went back to the little dove pastry shop and coffee bar for our lunch – and I’d recommend it if I could accurately Google it up.
The sky was now a brilliant blue, everything washed sparkling clean by the thunderstorm which had rolled through. We passed a little tent market, with a three-wheeled flower truck parked by the curb. I found a scarf I liked, and Robert found a wallet he wanted for his birthday (happy birthday, darlin’). The best score; a cheap cable for my elderly iPod.

The Roman Culture Museum had all kinds of interesting depictions of daily life, and humble yet beautiful implements, but what we won’t forget were the fencing exhibitions we stumbled upon.  There was sword play in progress all over the museum, from children competing in a grand hall to tutorials in various rooms and on the balcony.

https://www.virginiaparker.net/travel/wp-content/uploads/2017/03/swod-flght-1.m4v

It was like coming across a covey of re-enactors or a gaggle of Game of Thrones extras.
When pre-planning and serendipity converge, it makes for a very satisfying afternoon.

Filed Under: Rome

Shock & Awesome

March 10, 2017 by Virginia Parker Leave a Comment

Up before dawn after a restless night. Jet lag is no joke. Out by 8:30 with e-ticket printouts in hand. The streets were notably quiet except for seagulls** diving for discarded pizza scraps on the cobbled street. Uber dropped us off in the neighborhood of the Palazzo Colonna, we only had to scout around for a few minutes to find our way to the entrance.  Crisply efficient uniformed staff took our backpacks in the entry vestibule and handed us substantial folders listing the paintings. We climbed up a narrow stair, through one anteroom into another, then BOOM. Shock & Awe. The main hall stretched before us and I had no words. A vaulted ceiling, broad expanse, antique statuary to the right and left, walls all but paneled in dozens of oil paintings, any one of which would be the pride of a provincial museum. Ceiling frescoes bristling with depictions of the victories of the Colonna patriarch Marc Antonio  (not to mention the 22 cardinals, one pope, and military heroes galore), bronzes, benches padded with velvet at intervals, I suppose for those of us overcome with the sheer magnificence. Diplomats, visiting royalty, barbarians from the west, enter here and know you are outclassed and outgunned.
In the center of wide marble steps into the grand hall is a cannonball, half buried in the marble where it landed, just above a smashed lip of a tread. Way to keep it real, Colonna.My brain started chanting ohmygodohmygodohmygod on repeat. I looked like a goggle-eye fool but I didn’t care. The guards, dressed in well-tailored blue suits, were all as beautiful as the woman in the paintings. Polite, helpful, gracious. And the art! Oh the art. Even Robert was impressed. Everything from a rare image of Mary Magdalene repenting while clothed.

What to wear when you hang out with the Pope.
Tapestries, threads still bright with color. Busts of the Patron as Pope. Painted mirrors.Oh, how I wanted to draw. Not allowed. But I’ll be back. When we left at 11:30, two and a half hours had flown by in a blink. I comforted myself with the fact that my Context tour is already purchased.

We hurried down the streets,  hoping to beat the rain to the Barberini. Again, finding the entrance to a building that takes up a city block requires patience and tolerance. Google will pinpoint the building but not the entrance. Painful experience has taught me that the best way is to go the website of the venue and use the map on that site for directions to the entrance. There are often helpful photographs of the outside which give you a clue. Every building in the center is next to another just as grand or ancient or imposing, or all three.
The first floor of the Barberini was a disappointment after the grandeur of the Colonna. The rooms looked so dated, like my 1980s kitchen. Dolorous Virgins and glum Christs hung on walls sponge painted in textured pastels. The floor was a utilitarian herringbone pattern terracotta brick. Meh.Robert nodded off in a chair while I prowled around. To see the upstairs you had to go outside and back in (don’t lose that ticket!). A wonderful carved bas-relief lion halfway up the grand staircase got my hopes up. I went from optimistic to eager, but that still did not prepare me. I  turned a corner, entered a small room, clapped my hand over my mouth and shrieked. Before me was the painting of La Fornarina in all her glory. I likely stood the same distance away as Raphael did while he painted his darling. He caught it all – her charm, his lust, his affection, her allure. By some artistic alchemy, he found a way to show her off and keep her to himself at the same time. Nothing says MINE like a gold armband with your lover’s name on it. It made me shiver. I dropped everything, and just drew for a while so I could look and look. It was for a moment like this that I came to Rome.

Everyone loves her.

I stopped at 1:30 and found across Robert a couple of rooms later near the famous Holbein portrait of Henry the VIII. Robert was flagging.  I left, knowing I could and would revisit this place at my leisure.
We searched for one of the places I’d marked as decent, non-touristy restaurant that Google swore was ten minutes away. The rain was starting in earnest, and we nearly gave up, when Robert asked a shopkeeper where to find it. We’d walked by it twice.  No sign, small door. Alrighty. But, sure enough, we dined well among happy, gesticulating Roman businessmen and families. He had the cod and potatoes, I had a pasta with cheese and orange rind (odd but good). He had tiramisu, I had chocolate and pear tart. It was 3pm and we both wanted nothing more than a nap. Uber found us and brought us back. We fell asleep and woke up in time to do laundry and think about dinner.

Tomorrow, coffee with our landlords.**225 kilometers inland – seagulls must consider the garbage of Rome a banquet worth the flight.

Filed Under: Rome

Bath Time

March 6, 2017 by Virginia Parker Leave a Comment

Off to a late-ish start, a brisk walk to the Ponte Sisto and cascade of minor glitches snarled us up. The Uber app was balky and kept looping around. The first driver canceled us, the second was on the other side of the very busy street and had to wait for the light to change.
Robert was resigned. I was cranky. We arrived at the Baths of Diocletian close to 11:30. I’d had no breakfast, so I stopped for a slice of raspberry tart and an espresso. My spirits visibly brightened. The power of pastry prevails.
We toured the baths and the section converted to the National Roman Museum. It is one of four branches of the museum, another being the Crypta Balbi. Two down, two to go.

I soaked in the peace of the grand cloister.  A cedar in the center of the garden, propped and supported by iron bands, was allegedly planted by Michelangelo. Stele and tomb fragments defined the outer perimeter of the square. These monuments were made fascinating to me by the Mary Beard BBC documentaries. I was able to recognize the word carrisimo – dearest – on this one. Poignant. There were sarcophagi carved with the decease’s hopes for a happy afterlife (mostly involving wine and sex), masks of tragedy and comedy, and ringing the center, giant animal heads from Hadrian’s front yard.Robert goofed on the famous door with a trompe l’oeuil painting by Filippo Balbi. It portrayed a lay brother who holds a piece of paper with the words Erudi filium tuum et refrigerabit te et dabit delicias animae tuae (Discipline your son, and he will give you rest; he will give delight to your heart. – Proverbia XXIX: 17 ESV).

The National Museum of Rome displayed more fragments of Roman life; statuary, armor, more stele and small caskets. One simple but chilling display of a twisted metal ring with a metal tab, like a large dog tag, offered a reward for the return of the runaway. It was likely for a slave and not a mastiff.
The enormous scale of the baths themselves impressed me, and the idea of being clean in those filthy times seems enormously appealing. I can well believe the availability of running water, saunas, and hot and cold baths for all citizens would have made Rome the envy of the provinces. The building had temperature extremes – super cold in the cavernous baths, and sauna hot on the upper floors of the museum. Layer up, people.

One of my favorite pieces was an enormous, ancient urn-shaped fountain, patterned with lichen and surrounded by mosses.A couple canoodled nearby, a Roman Love, Actually moment.

It was a long day. I saved touring the Basilica of St. Mary of the Angels and the Martyrs for another visit. Ubered back to the Ponte Sisto, and did a bit of shopping on the walk back to the apartment, picking up prosciutto and bread. Saw a seven-month-old cavalier dog, who melted our hearts. We are dopey for our dog.

 

Filed Under: Rome

Underground Rome – Day Three

March 3, 2017 by Virginia Parker Leave a Comment

Stopped for a quick espresso on our way. I asked GoogleTranslate for a cappuccino with two shots of espresso. A very nice man beside me at the bar explained, “oh no, Google is good for one word, more, it’s too much.” The American phrase ‘shot’ does not translate. Google had me requesting cappuccino with two slugs of booze. The correct request, which he kindly wrote down for me on a post-it, is ‘Doppio café nel cappuccino.” And it was just the rocket booster fuel I needed. Dashed into Santa Maria Della Scala, said my morning prayers under the festoons of crystal chandeliers, and put a few euros in the candle slots.
Walked through the crisp and partly cloudy morning to the Palazzo Corsini. There’s a Caravaggio and a Raphael, said my notes. Oh, and so much more.
They only accept cash at the ticket counter. I saw a Fra Angelico straight away, morphed into my art-by-osmosis daze and drifted through the grand halls plastered with grand art. So much to love.
I’ll return with my sketchbook after Robert goes home. I could sit here for days. Bonus; there are numerous hassocks to sit on while you soak in art
Some stand outs:
A ceiling painted like china. Just smack you in the eye, unapologetic beauty.
A room with an exhibition detailing what x-rays reveal beneath the surface painting.
A window with portion of the glass bracketed by a pair of picture frames. Instant landscape.
A pair of cupids wrestling – Romulus and Remus, the preschool years.
An excellent copy of Raphael’s Pope Julius II.
A portrait of someone’s elderly nona that showed her true age, wisdom, and good humor.
A wall of still lifes, including two Bruegels, a pair of swags representing Spring and Fall.
A sculpture of a reclining God, bearded and scowling. Very Robert-esque.
The aforementioned Caravaggio – his portrait of a young man. I can’t decide if the youth looks dissolute or if that’s Caravaggio’s reputation talking.
A portrait of Margherita Luti, La Fornarina herself, by a different painter than her lover, Raphael. A beauty, but not the smoldering minx his brush portrays.
This is a wonderful place to visit – a steady stream of visitors but no swarms. Multiple soft places to sit. Excellent sight lines.
Next we walked across the Tiber and on impulse whipped into Roscioli for an early lunch. The soup was so delicious my toes curled; chickpeas, scallops, salty bacon, pumpkin seeds. So simple. Next destination was the Crypta Balbi. It took more than one try to find the entrance (beneath the scaffolding, next to the crane.) This museum plunges beneath city street level, multiple strata of brick, stone, and marble marked by fire and earthquake, that date back thousand + years. When you thought you were done, there was another corridor below ground in the depth of early Rome, or another flight of stairs to a museum of artifacts above. It was sweltering hot above ground and shiveringly cold below. It reeked of antiquity, something we Americans have no notion of.
After Balbi I was toast, but foolishly kept going. Paid my respects to the tomb of Fra Angelico, a painter who soul was said to be as beautiful as his work, beneath the blue and gold ceiling of Santa Maria Sopra Minerva. After a brief detour to buy art supplies (a small sketchbook and red chalk) Robert wanted to visit the Pantheon, so we wove our way through the streets straight into a heaving throng of tourists. I stood in one spot and looked up at the oculus, while Robert circumnavigated the interior. It was a mosh pit of hands waving cell phones, like someone had kicked over an ant hill of tourists. I couldn’t wait to leave.
By that time I was limping. Sucked it up and carried on. Robert took a photo of me as we crossed the Ponte Sisto bridge because the afternoon light was pretty. Me, not so much.
Another a great day. Tomorrow, the Baths of Diocletion.

Filed Under: Rome

More is More – Rome, Day Two

March 2, 2017 by Virginia Parker Leave a Comment

So far, so good. Multiple little bumps smoothed out – bank card unblocked, SIM card not international – but no big deal. Milk is still latte, WhatsApp works like a boss, the sky is blue, and there’s a reason pizza is universally beloved.  Robert and I walk like two dogs on one leash, but our intentions are benign.
Walked to Villa Farnesina, a sumptuous mansion/mini palace, built for Agostino Chigi who sincerely believed more is more. Every inch of wall and ceiling, shutter and door is richly painted, marble underfoot in every room. Everything the eye can see depicts love; the trials of Psyche (soul) for her Cupid (love). The mighty Cyclop Polyphemus, pining for the nymph Galatea. Roxane, bride of Alexander the great, on her wedding night. Raphael’s beloved, a baker’s daughter nicknamed  La Fornarina, was (allegedly) kidnapped by Chigi and brought to the villa because Raphael wouldn’t paint without her. That’s her distinctly Roman face on Galatea.

The rooms empty completely, then fill to the brim with restless swarms of teenagers, herded by guides using headsets and speaking a both Italian (a priest) and French (a chic, strict professoressa). Two audio guide tidbits: the painting of a young man’s head in grisailles, was supposedly sketched by Michelangelo with a bit of charcoal, though another painter signed it.

In Chigi’s painted bedchamber, covered with scenes from the life of Alexander the Great, the painted mirror on the headboard of the conquerer’s curtained four poster bed appears to reflect Chigi’s bed. That artist knew which side his panini was buttered on.
I did a spit take when I saw my name scrawled across a landscape. Turns out it was graffiti left by 16th-century German mercenaries. It wasn’t me, your honor. My alibi – not yet born – is air-tight.

We left around two and had lunch at Osteria da ‘Zi Umberto. We were the only people inside, all the Romans (and tourists) were basking in the sun at the outdoor tables like sleepy lizards on a rock. We dined on excellent artichokes and pasta. Not tired of it yet.
Strolled down to the bridge along the Tiber, before heading back for a nap. I wrote this, Robert went out exploring and brought back three kinds of pastry and a Panini. The affable landlord came over and addressed the heating, (thermostat adjustment) the lighting (the bulbs are effectively bare as they are bigger than the shades) and produced a spare blanket from locked cupboard. Couldn’t fix the lights, but Robert did (I am married to the grip). They all sport cunningly crimped aluminum foil hoods now

We’ve had pizza, pasta, paninis and pastry. Instead of la dolce vita, it should be la pasta vita.

Filed Under: Rome

Meet the Romans, Day One

March 2, 2017 by Virginia Parker Leave a Comment

Flight was uneventful and as pleasant as it’s possible to be. Viva la Business class.
Met by the gregarious landlord Franco, who explained, in broken English that was far superior to my broken Italian, the various features of the apartment.
It’s oddly shaped, with sudden steps up and down, dim to the point of gloom, and has a faint smell of mildew, but it’s in a 17th century building on a quiet street in a hopping district, with a comfortable bed, a well-equipped kitchen, ample room for two people, and a charming little balcony, so it’s all good. Bonus: lots of clearly written, large print signs detailing how to wrangle the washing machine, safe, and kitchen appliances. Less appealing: screamingly bright CFL bulbs, no spare throw or blanket. And it’s really cold.
Headed out to accomplish three things, the kind of walkabout that gives me a feel for the neighborhood– buy a SIM card, pick up fruit and milk, and grab cash from an ATM.
Went to a TIM office in a square that was actually a triangle, Piazza di San Cosimato. Two arrogant, aggressive men waited on me while insulting each other like 21st century Romulus and Remus. Google Translate got me the deal I wanted.  Picked up apples and bananas from the market in the square, and milk and yogurt from a side street supermarket, housed in a warren of narrow aisles. Tried to get cash using my debit card in an ATM in a bank that partners with BOA. The machine refused my card for three attempts. My Visa card had no problem forking over the cash. Hmm.
Suddenly reeling, with bleary eyes and wits scrambled with weariness, headed back to the apartment to put away the milk, then off to Dar Poeta. Two small rooms, brown paper over red-checked tablecloths. The pizza was a puddle of cheesy porky goodness on a crisp-on-the-outside-soft-and-yeasty-on-the-inside crust. I could feel my will to live returning.
Back at the apartment, I received an alert that the bank had frozen my Debit card, due to suspicious activity. It had two numbers to call, and neither worked. I tried using my phone and using Robert’s phone. I tried with and without country codes. I looked online for an alternate way to contact them – nothing. I did all these more than once. Did I mention my wits were scrambled?
Went into my bank account online, and updated the travel advisory page with my new SIM card number.
The email BOA sent to confirm this had a link for a phone call. Eureka! I finally spoke to a human via a call directly from my computer, who transferred me to another homo sapiens. After proving I was myself with various security questions and strings of identifying numbers, my debit card was unfrozen and added to my travel plan alert. This took the better part of two hours.
Meanwhile, Robert napped and then went out looking for a place around the corner to eat at 6:30. Too early, I warned him. He went anyway. Came back unable to find his way using the Google maps app. Places are empty, he said. Wait until  8pm, I suggested. He went back out at 7:30. Came back, restaurants still not open.Robert went out again. My eyes were raw and I just wanted to soak in a hot tub. Not in this locale. This place has a telephone booth-sized shower (ask your parents, kids). In the end, I fell asleep around 9:30, shortly after I dropped my book/iPod on my face. I slept like the dead and woke up refreshed at 6am. Amazing.

Tomorrow -Vini Vidi Vici

Filed Under: Rome

Tickets & Tours

February 15, 2017 by Virginia Parker Leave a Comment

The last thing I want to do in Rome is stand in line. It’s why I’ve never been tempted to go to Disneyworld and why, from my very first trip to Florence in 2001 back when ‘internet cafes’ were a thing, I reserved tickets in advance to the Uffizi and the Academia.

I know that advance tickets to the Borghese Gallery are a must, and a wise choice for a few other venues too, like the popular archeology-meets-virtual-reality venues Domus Romane and Domus Aurea. With a little bit of Google Translate help, I booked tickets for all three. Given the length of my stay, I knew once wouldn’t be enough for the Borghese, so I booked a second visit later in the month at a different time of day, the better to see the art in a different light. Most of the work that interests me was made at a time when the world was lit only by fire. Art was seen in the light from candles, hearths, torches or, for the truly unlucky, bonfires.

I decided to take a couple of tours for a different perspective than my own. A friend saw the Eternal City from the back of a Vespa and that choice intrigued me for multiple reasons. First, a scooter can go where a car cannot. Second, experiencing Rome riding bitch on the back of a scooter has got to be more intense than watching it go by outside a car window. Third, yes, I saw Roman Holiday at an impressionable age. Fourth, fifth and sixth,  it’s something I wouldn’t do on my own, am unlikely to ever do again, and that I won’t forget in a hurry.

After some investigation online and an exchange of inquiring emails, I settled on a four-hour Scooterama Vespa tour. Good press, consistently high user ratings, the option of a street art tour, and the founders’ first date was a Bruce Springsteen concert. That last one is what we call a sign.

For the sheer pleasure of conjoining music and my favorite museum in Rome, I bought a ticket to Sounds & Visions of Caravaggio, which combines an English language art tour with baroque musical performances at the Palazzo Doria Pamphilj. As I mentioned in the last post, I picked up a tour of the Palazzo Colonna that I’m excited about. it reminds me of the Cerralbo Museum in Madrid. It should be visually lush.

The biggest hurdle, in terms of horrific lines and crowded conditions, is indisputably the Vatican Museums. I visited them eight years ago and, though I was not rushed, I still moved far too quickly along a Vatican-assigned route. I saw enough to know I wanted to come back and view the art at my leisure.
I decided to use the strategy that has served me so well for the Louvre, Prado, and Hermitage; I became an official supporter, a Patron of the Vatican Museums of Art.  Among the privileges of a Patron are unlimited visits, and early entries at 8am through a separate entrance for patrons. I have a special Patron pin to wear and have submitted the dates I plan to visit – about three weeks total – so my name will be on the gatekeepers approved list. That’s my biggest ticket and tour in one. It’s the reason I’m coming to Rome.
Patrons also get to chose a private tour from a selection of guided tours and I chose the restoration labs. Usually the last thing I want is someone talking to me when I am viewing art unless it’s audio guides, which dependably deepen and enrich my experience. More importantly, I can turn them off. But a restoration lab is a mystery to me and I know I’ll be fascinated by whatever the guide has to say.
There are other perks, like discounts in the gift shop and cafe. There’s even an opportunity to attend an audience with the pope. I assume by that they mean somewhere in the melee, but not in the nosebleed seats.
I’ll avoid the Sistine Chapel for the same reason I dodged the Mona Lisa and The Garden of Earthly Delights. These superfamous paintings attract a scrum of the selfie-obsessed. Hey, glorious works abound that can be viewed without having to throw your elbows and use up all your fouls.
I’ve been through the Sistine Chapel, and know for a fact that I can barely see the ceiling, even under optimum conditions. But please don’t think I lack appreciation for this sacred space baptized by the sweat of Michelangelo’s brow. If I got accidently left in the chapel alone for half an hour, no doubt you’d find me sprawled on the floor, looking up with an expression very like Bernini’s Saint Theresa in Ecstasy.

 

Filed Under: Preparation, Rome Tagged With: tickets, tours

Full Immersion

February 9, 2017 by Virginia Parker Leave a Comment

It’s been a full immersion baptism into planning for Rome, not just a sprinkle of water and swipe of oil. I am now a Patron of the Vatican Museums, dues paid and paperwork submitted. It took contacting the central office (Vatican City) the local chapter (Atlanta), and a delightful chat with the North American Chapter President, but the deed is done. They have been, one and all, very welcoming. I’m receiving a pin and packet of introductory material. If only there was a magic decoder ring too. If you are wondering if going to these lengths is worth it, take a gander at the Vatican’s Youtube Channel – it is a goldmine of inspiration.

I’ve asked for and received tentative permission to sketch, though they are asking which pieces, exactly, I have in mind. I sent a polite and humble email in response, the gist of it being, can I let you know after I’ve seen what is there? I admitted a preference for sculpture, still life and animals. I attached a photo of one of my sketchbooks because, yes, it’s worth a thousand words.

I assured them I am the soul of discretion and not disruptive. I have a feeling there will be some knots in this skein of silk, but once I am there and the guards have seen me at work, I don’t expect any real difficulties. All good thoughts to that end appreciated.

I’ve been moving all the pieces (venues) around on the board (calendar). I was dithering over tours, when Context Tours sent an email announcing a 20% off flash sale. I ended up booking a day trip to Tivoli, Hadrian’s Villa, and gardens of Villa d’Este  close to the end of my trip. Should be warmer weather then, and less chance of rain. I’m joining a group tour, but they limit their groups to six and have very qualified docents.

I pondered several food tours, but the descriptions (mostly sampling gelato, espresso, and pizza ) just weren’t that compelling. I’m betting that between the people I know, the ones I meet, my three hosts suggestions, and apps like Katie Parla’s Rome and Eat Italy by Elizabeth Minchilli, I’ll have all the recommendations I require to dine well. Over the next few days, I’ll add places to eat to my homemade Rome Google Map.

The other tour I picked up from Context was the Palazzo Colonna, which I had no idea existed. Somehow it was not on my radar, but oh my word.
Seriously, how could I have missed this? Besides private tours, it’s open to the public on Saturday morning. I got tickets to see it the first Saturday in Rome, because once will definitely not be enough.

Stumbled across Mary Beard’s Ultimate Rome: Empire Without Limit a 2016 BBC documentary on Youtube. I love these indomitable, fierce, British bluestockings. I’ve been listening to her SPQR, A History of Rome on audiobook. Fascinating stuff. Puts that extra spring in my step at the gym I am in training for those seven hills.

Filed Under: Rome Tagged With: sketch, tour, Vatican

Gearing Up for Rome

February 1, 2017 by Virginia Parker Leave a Comment

I’ve got a folder on my Chrome Toolbar just for Rome, where I’ve saved potentially useful sites, from art-filled villas and archeological sites to Vespa tours and food halls. These bookmarks are my gateway to inspiring, up to date information – they have replaced the guidebooks of my youth. A few of my favorite Rome-centric blogs; An American in Rome,  Revealed Rome, and Katie Parla, three adventurous women who love pasta and exploration.Spent a chunk of the weekend sorting through my desktop folders of Rome research, creating three documents that listed museums, churches, and monuments with their addresses, open days and times, websites, and one or two salient facts about each venue. I alphabetized each list and combined it into one massive document.  It’s my Theory of Everything Alla Romana, and I’ll use it to create my own Google map of the city, and plan a day-by-day itinerary. At some point, I’ll make a separate list of restaurants, food halls, coffee bars, and pastry shops and put them on my Google Map too.

I’ll paste it into an email and send it to myself.  It’s useful to find what’s nearby when a museum or restaurant is unexpectedly closed (I’m looking at you, Nabokov House Museum) or a post-it note on the ticket kiosk says ‘tour groups only’. Yeah, that’s happened too. I’ll paste the addresses in Google maps to guide me on foot, or when Uber needs me to plug in the destination. Having that list always on hand via my iPhone is by far the most helpful thing I’ve done for the last two trips.

I pulled up the St Petersburg calendar and saw that I color-coded it (museums, churches monuments and places to eat) and that was a help. I have the everyday total trip calendar and the week-by-week in depth ones set up, but all I had plugged in were the flights, and the three accommodations; two apartment rentals and a hotel.

Back to planning for Rome, I’ve plugged in the first ten days and started on reservations. Last week I tried to purchase the mandatory tickets to enter the Borghese Gallery Tuesday, March 7 (weekends and Fridays will be slammed, Mondays it’s closed.) The online calendar didn’t go past February 27. Odd, I thought. Expecting nothing, I sent an email to customer service. They responded with this;
We open reservation for march at the and of february
Servizio prenotazioni
Somehow I doubted it.  Sure enough, I checked back today and was able to book two tickets to the Borghese today through http://www.tosc.it. I had to sneak in through the Italian language site, as the English translated one blocked the calendar. Then I had to create a username and password, and it took more than one try. Persistence paid off and I’ve got my two tickets for March 7 at 9 am.

My only other visit to the Borghese was in 2004, and what I remember most vividly is Bernini’s sculpture of Apollo and Daphne. A docent told me that when they cleaned the statue, they discovered that the leaves growing from Daphne’s fingers made a pure, bell-like sound when tapped, like a crystal glass. It’s a miracle made of marble. Two hours, which is all you are allowed per visit, won’t be nearly enough. 

Filed Under: Rome Tagged With: Borghese Gallery, Google Maps

Free Admission for All Isabellas. Day Five, Boston

January 16, 2017 by Virginia Parker Leave a Comment

The Isabella Stewart Gardner museum is closed on Tuesday, which made the decision to go today easy. It’s my last chance to visit before I leave Wednesday morning.
Not snowing but the temperature is stuck in the single digits. Nevertheless, after four days of bad coffee, I went in search of quality espresso. It wasn’t too bad at first, as long as no skin was exposed, but after a block I couldn’t feel my face, and the two fingers exposed to tap my iPhone were going numb. I couldn’t find the local joint, Pavement Coffee – must’ve walked right by it looking at my iPhone instead of around – but I found a Starbucks. The nice barista gave me his highest rec for a local place called the Wired Puppy, and I decided to try for that tomorrow.
Uber drove me from Starbucks to the ISG museum, the Venetian-ish villa Isabella built for herself in Boston’s lowland marshes. I heard the canary that lives in the visitor’s library chirping all the way to the ticket desk. The library was bright with its floor to ceiling windows, sunlight bouncing off the snow, and hanging lamps with cherry red shades.
Light dimmed like an eclipse as I walked through the short stone alley into the main building. The mood shifted with the light and the way the eye naturally gravitated to the central courtyard’s palm trees, fountain, and medusa mosaic. The sound of water must have been the soundtrack during Isabella’s residency too.
First I took a detour to the right, and gazed at the 12 foot wide, tour-de-force by Sargent, El Jaleo.  
Next I sat on one of the stone benches beside the courtyard garden and drew a pistachio orchid, a simple act that focused and calmed me.Drawing is my gateway into the quiet, languid pace of this venue. Once the drawing is done, I’m ready to enter the space she invented to house her collection of paintings and object d’art, her storehouse of memories.
I drifted through the rooms and corridors and listened to everything the audio-guide had to offer me. I particularity loved a director’s insight into the prevalence of the female here – portraits of queens and courtesans, virgins and saints, matrons and musicians, goddesses and heiresses.

Bloody Mary Tudor
Virgin Mary and her posse of lady saints
The founder of the visual feast

It’s a veritable citadel of the feminine.

I broke for lunch at Cafe G; two bowls of soup. I loved the window view, but it was freaking cold. 

Back in Isabelle’s world, I thought these devotional works, on a smaller scale, were potentially interesting shapes for metal boxes.

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I found an actual reliquary on the third floor in a glass front cabinet. Thrilling.On my previous visit, I saw the illuminated manuscripts that are also an inspiration for my own reliquaries.


Before I left I made time to sit quietly before a startlingly contemporary portrait of Christ, and just beyond it, Titian’s sensual masterpiece, Europa.

Europa is underlined by a swath of white silk taken from a gown designed for her by Worth in Paris. 

This juxtaposition of the sensual and the spiritual seemed to sum up the competing forces that drove Isabella, her thirst for both kinds of satisfactions. Her character rejoiced in contradictions and we are the fortunate beneficiaries of it.

For some reason, lots of people called me today. My message ringtone kept firing off, and, even though it was quiet and muffled by my pocket, I was embarrassed to be that person. Next time, I’m hitting airplane mode when I cross the museum threshold.

Back at the hotel, my room was cold. I’d set it for 70 degrees but the thermostat showed 62. Hated to complain but when the night guy dropped off bottled water I asked about it. “Off in all the rooms,” he said cheerfully. “They called a guy. He’s going to reset it. Should be good soon. Get a blanket.” I did and it was.

Can hardly believe tomorrow is my last day. My plan is hit the Wired Puppy then MFA all day, baby. I have that double pull – wishing I could stay another week and longing for home.

Filed Under: Boston 2017, Short Trips Tagged With: Boston, Isabella, ISG

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